With a deadline approaching, the best I could do for a guest-post from K. Alan was to reblog my thoughts about effective Narrative Voice. I hope some new readers gain some insight from it, and can comment on some of the most effective narrators you have encountered.
Fill in the blank, authors.
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Since my guest-post on The Muffin, where I seek advice about how to achieve the “Strong Female Voice” that so many agents seem to want, I’ve been pondering that question that authors seem to answer differently each time they are asked: what, exactly, is “Voice” in written fiction? It seems that agents want ‘original voices,’ implying that our writing should speak in some wacky or innovative way that’s never been used. Yet, agents also want accurate grammar, and writing that readers can follow easily. There is some contradiction.
Of course, the most interesting stories, particularly novels, tend to feature a variety of characters, so their voices need to identify them in startling, alluring or humorous ways that are still partly predictable. That is a huge challenge, but one for another discussion: for today, let’s narrow our focus to some different types of narrative…
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